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TLC From The TLC: Future Teaching, Super Courses, and Core Exploration

April 16, 2021

For this week’s Teaching & Learning tip, Andrew Guest, psychology and core director, offers possible prompts for summer teaching dreams – with a specific invitation to start imagining courses for the new Exploration Level of the University Core.

With the end in sight of this most challenging and odd academic year, it can be fun to start thinking about a near future of (maybe) having just a bit of time to read, dream, and do the kind of imagining that makes good teachers life-long learners. I’m particularly excited to dive further into a new book on Super Courses: The Future of Teaching and Learning – thinking more about how we at UP can merge the current impetus for evolving our curriculum with best practices in creating great courses.

Dreaming of ‘super courses’ may also be worth some time for us at UP because of core revitalization opportunities to re-develop and create courses for the new Exploration Level – a set of course offerings to be phased in starting Fall of 2022 that aspires to interdisciplinarity, addressing timely issues, and broadening opportunities for students to learn and faculty to teach. For a brief overview of and invitation to Exploration Level opportunities and possibilities, see a new Teaching and Learning Community blog post on “The Once and Future Core Course: Imagining (and Designing) the Exploration Level.”

Finally, as one additional suggestion for the fast approaching summer possibility of having actual time to read, Heather McGhee’s recent book The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together is excellent. While not specifically about teaching or higher education, it offers a robust and deeply evidenced take on what she calls the “solidarity dividend” – ways of working toward a better future by attending more carefully to the interests we almost all share (appropriate, perhaps, to the idea of the Core as UP’s shared academic experience).

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Filed Under: 04-19-2021, Academics, College of Arts & Sciences, Teaching & Learning Collaborative Tagged With: Andrew Guest, TLC from the TLC

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Larry Larsen, Performing and Fine Arts, designed the scenery for the production of In Clay for the Broadway Rose Theatre Company. The one woman musical tells the story of French ceramics artist Marie Berthe Cazin and is playing at the theater’s new stage space in downtown Tigard from January 23 – February 15, 2026.

Nicole Harvey, Nursing & Health Innovations, presented “Leveling Up Music History: Teaching Video Game Music in Online and Classroom Settings.” Co-presenter: Tellock, J. Presented at the Music and Gaming Symposium: Super MAGFest 2026. National Harbor, Maryland. January, 2026.

Simon Aihiokhai, Theology, published “‘Ordinary Time is a Period of Altruistic Living.’ Reflections on the Readings for the Second Sunday of Ordinary Time. January 18, 2026.” VoiceAfrique.org. January 17, 2026.

Corey S. Pressman, Public Health & Wellness, will be the featured artist in a solo exhibition of works entitled Aletheia. Presented by Trinity Episcopal Cathedral, the exhibition will be on view from January 30 through April 27, 2026. An artist reception will be held on Sunday, February 8 at 11:30 a.m. and is open to the public.

Naveen Gudigantala, School of Business, presented “Beyond zero-shot: Enhancing LLM financial complaint classification with relevancy-driven RAG-based few-shot prompting.” Presented at the 59th Hawaii International Conference on System Sciences, January 9, 2026.

Susan McDaniel, Performing & Fine Arts, performed as the pianist for the visual album GILGAMESH, now available on all streaming platforms and YouTube. GILGAMESH is the contemporary retelling of an ancient tale and explores themes of friendship and mortality, incorporating song, dance, and film. Featuring music by J. Scott Brubacher and libretto by David James Brock, with direction and production by Four/Ten Media, the project is the result of a decade-long, interdisciplinary collaboration. The performers are baritone Stephen Lancaster, pianist Susan McDaniel, and dancer/choreographer Kyle Marshall (as Enkidu), with additional artistic collaborators Edo Tastic (creative designer), Daniel Stein (audio producer), and Bill Maylone (audio engineer). View the Visual Album, Behind the Scenes footage, and learn more About the Project.

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