Archives for March 2014

The “Valley of Dry Bones” illumination from Ezekiel will be featured in Visio Divina sessions on Wednesday, April 2, at 12:45 p.m. (30 minutes) and 7:15 p.m. (40 minutes) in the Chapel of Christ the Teacher. This Lenten prayer opportunity is sponsored by Campus Ministry and the Garaventa Center. Campus Ministry’s Interactive Lenten Calendar provides a prompt:

God makes all things new. He raises the dead. He gives the dry bones new flesh. So, too, in our own lives. God can transform all things. Where do you need God’s work in your life? Ask God for this grace.

This illumination illustrates Ezekiel 37: 1-14, in which God sets Ezekiel in the middle of a valley filled with dry bones, representing a destroyed society cut off from faith. Ezekiel preaches the word of God to the bones, and God promises the bones that He will “put my Spirit in you and you will live, and I will settle you in your own land.” You will find many human bones in this illumination, as well as the figurative bones of civilization.

In The Art of the Saint John’s Bible, Susan Sink relates how Donald Jackson began work on this illumination with an Internet search, looking for documentary photos of human suffering.

“The skulls are based on photos taken of genocide and war in Armenia, Rwanda, Iraq, and Bosnia. The piles of broken glass suggest the broken windows caused by car bombs…. At the center is a pile of eyeglasses, a well-known image from the Holocaust. […] For Donald Jackson the waste of ecological disaster is part of the larger image…. The three automobile hulls are one sign of the spiritual death of society.” (Sink, vol. 2, p. 82)

Yet throughout the image we find glimmers of hope. Note the splash of oil on the right-hand page, with a rainbow sheen connecting the dry bones to the exultant rainbow at the top. Remember the gold squares from the Creation image? They are present here, indicating divine watchfulness.

Finally, note the seven menorahs, a sign throughout the Saint John’s Bible of creation and covenant. Sink notes: “Here the seven gold and black bars are intersected by arcs that end in points of light. Seven menorahs with seven points of light rise out of and transcend the wreckage and wrongdoings of humankind….” (Sink, vol. 2, p. 83)

A post about the Valley of Dry Bones illumination originally appeared in the Clark Library Blog on October 29, 2013.

The “Ten Commandments” illumination from Exodus will be featured in Visio Divina sessions on Wednesday, March 26, at 12:45 p.m. (30 minutes) and 7:15 p.m. (40 minutes) in the Chapel of Christ the Teacher. This Lenten prayer opportunity is sponsored by Campus Ministry and the Garaventa Center. Campus Ministry’s Interactive Lenten Calendar provides a prompt:

God’s giving of the Ten Commandments atop of Mount Sinai ranks was one of the greatest religious events of all time. Moses acts as the intermediary for the people who are too frightened to approach the mountain or who have been prohibited from doing so. Not only do the Ten Commandments have significance in religious history, but they have also had a tremendous effect on civil law the world over. Just as the creation in Genesis brought order from the chaos, the Law, according to Jewish interpretation, brings order from the chaos of lawless society. In this sense, the giving of the Law is a new creation. The law forms the foundation of the covenant that God is establishing with His people.

A Saint John’s Bible press release about this illumination says “Just as the creation in Genesis brought order from the chaos, the Law, according to Jewish interpretation, brings order from the chaos of lawless society. In this sense, the giving of the Law is a new creation.” In this illumination we find several references to the Creation image, e.g. the multiple panels across the top, the inclusion of birds (look for eyes and wings). The panels represent four stories: the burning bush, the first Passover, the Red Sea crossing, and the twelve pillars erected at the foot of Mount Sinai.

The architectural features and religious symbols you see here will appear in other SJB illuminations, such as the faint menorah in the burning bush, the pillars/skyline, and the Cubist elements in the middle panels.

Artist Thomas Ingmire draws our attention to the typography on the page, saying “the most fascinating part for me in the Ten Commandments is their relationship to the history of writing. The Commandments were given in alphabetical form, rather than pictograms. As I see it, the Commandments could only be taken in as a mysterious code by the Hebrews (themselves slaves and not necessarily literate). The Lord, by the second Commandment which forbade the creation of engraved images, reinforced the mystery. His words, in alphabetical form, were the strongest evidence of his existence: I am who I am – no pictures, statues…..Words = God. This is clearly an abstract concept – just as the alphabet, when one really thinks about it, is a completely abstract concept.  I am interested in the idea that God presented himself as an abstraction and the abstraction was the Word.”

Susan Sink adds, “the familiar words of the commandments [are] stenciled in Stone Sans typeface as though engraved on tablets.” (The Art of the Saint John’s Bible, vol. 1, p. 27)

A post about the Ten Commandments illumination originally appeared in the Clark Library Blog on September 13, 2013.