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Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

God, Literature, and Religious Denomination in a Changing Christendom

By David Mudd

Martin Luther, intellectual spark of the Reformation, speaking at the Diet of Worms in 1521 to defend himself on charges of heresy.
https://upload.wikimedia.org/wikipedia/commons/4/43/Luther_at_the_Diet_of_Worms.jpg

Beginning in the 16th century, Western and Central Europe underwent a titanic shift in religious thought referred to today as the Protestant Reformation. Encouraged by the former Catholic monk Martin Luther, religious dissenters sprung up all across Christendom criticizing both the theology of the Roman Catholic Church as well as the social practices and customs, like the sale of indulgences, that had come along with it. These developments engendered a host of social upheavals throughout Europe, many of which brought on immense violence within communities and states. To get a sense of the significance of this changes, one could note that England, like many other places in Europe, went from having the same religious practice and authority since the Roman Empire to deposing a monarch for even the mere appearance of bringing the country back in line with Rome.

The execution of the Anglicans Hugh Latimer and Nicholas Ridley in 1554, during the so-called Marian Persecutions. Depictions of scenes like these became popular Protestant circles.

The consequences of this event shook Europe, which for so long had defined itself as “Christendom” in relation to its Catholic religious identity, to its very core. On the political level, the Reformation brought on rejection of the standard sources of authority centered on Rome. On the social level, it brought about re-evaluation of the proper role of religious life. And on the intellectual level, the impact of the Reformation began a process of changing the intellectual paradigm in Europe. Given the importance of the church in the lives of the community, these changes were widespread and incredibly significant. More over these changes were inextricably linked to each other: larger philosophical and intellectual changes in the way that people understood both God and the proper relationship of humankind to God helped enable changes in society and politics, and vice versa. (Throughout these short essays I will use both “God” and “the divine/divinity” interchangeably to denote the prevalent Christian understanding of ultimate reality.) In the middle ages (and long after) local places of worship acted as the bedrock of the community, tying individuals together and giving them a way to share their experiences with each other and create changes in the around them through religious rituals.

A depiction of the St. Bartholomew’s Day Massacre, which took place in Paris in 1572. The massacre helped spark escalation in the French Wars of Religion, which wracked the country for a number of years.
https://en.wikipedia.org/wiki/St._Bartholomew%27s_Day_massacre#/media/File:La_masacre_de_San_Bartolom%C3%A9,_por_Fran%C3%A7ois_Dubois.jpg

This changing world of this period begs the question: how did the common understanding of God, expressed in literary works, change during the Protestant Reformation and beyond? In trying to understand this, we will look at how exactly opinions and literary genre on the Christian God shifted between the resolutely Catholic Middle Ages with the daringly Protestant and tumultuous Early Modern Era. In these essays, that will look like examining two distinct periods of time, and two different works in each period. First, we will look at the works of medieval Catholic writers Margery Kempe and Julian of Norwich to see how they use miraculous, mystical visions to express and relate to the divine. Then, I will provide some brief historical context on the Reformation before examining how Protestant works on religion and religious experience “intellectualized” the relationship of humanity to the divine.

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