• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

Shifting of Political and Economic Structures

By: Stephen Leeb

     In recent history, political and economic systems have been held in question by many, and one of the best ways of examining the present can be to see how things used to be. When looking backward, much can be learned about not only what these systems looked like, but also how each of them eventually led up to where we are today. One of the most valuable comparisons that can be drawn between past and present systems is the shift from feudalism to the early roots of democracy and capitalism, which took place in England over the course of the Middle Ages, into the Renaissance and beyond. During this period of change, many characteristics of life were altered, with some of the most prominent being the shift from communal life and the exchange of goods and services, to budding individualism and democratic undertones.

     One of the best ways to analyze these shifts in society is through the writings of the time. Literature has always been a fantastic way to get a sense of what life was like at any given point, and this is no different. As a result, poems such as Sir Gawain and the Green Knight really exemplify life under feudalism, which is a system that entails:

The Feudal System

the existence of bonds among lords and free dependents (termed [vassals]…), which involved the lords’ granting property called ‘fiefs’ in return for service (military, financial, and/or advisory)” (feudalism).

In essence, feudalism was a system that was heavily invested in a hierarchical community, with many tenants renting land in exchange for goods and services, being bound to a king through duty. Examples of both this system of exchange and the presence of a communal identity are seen throughout Gawain.

     This is contrasted by the subtle shift into early capitalism and democracy, which was hallmarked by elements like individuality and the ability for individuals to provide political input. One of the best writings to exemplify this shift in action is John Milton’s Paradise Lost, which was written during the political sea change that was the election of Cromwell in Britain, making it a perfect example of the early democracy and capitalism that was emerging at this time. In this context, capitalism is best described as a system where

Medieval Parliament of England

profit [plays] a growing role and [mobilizes] wealth” (Braunstein).

Integral to capitalism is the idea of individualism and a system of exchange based around profit. In conjunction with this is the concept of democracy which

refers to political systems in which large numbers of voters select representatives and officials for leading legislative, executive, and sometimes judicial offices, either directly or indirectly (as in parliamentary systems for prime ministers), and in which conditions permit some open competition among different candidates and, usually, political parties” (Stearns).

In short, democracy also places emphasis on individualism, and the actions and responsibilities of the individual, which was a notable shift from the communal life of feudalism.

     Overall, it is important to notice the shift between past and present prevailing systems. This was a change that took place slowly over hundreds of years, and this is reflected in a large period of murkiness, where the systems are blurred together. As a result, it is important to note that while Gawain and Paradise Lost do both represent different time periods with different dispositions, they also have a few shared elements because of the fact that historically, great societal changes have slowly evolved over time. For more information on the shifting of political and economic systems in the context of the literature of the time, please click below:

Go to Sir Gawain and the Green Knight Analysis

Go to Paradise Lost Analysis

Works Cited

Braunstein, P. (2002). capital, capitalism. In Encyclopedia of the Middle Ages. : James Clarke & Co. Retrieved 22 Nov. 2019, from https://www.oxfordreference.com/view/10.1093/acref/9780227679319.001.0001/acref-9780227679319-e-469.

“feudalism.” The Oxford Dictionary of the Middle Ages. : Oxford University Press, , 2010. Oxford Reference. Date Accessed 24 Nov. 2019 <https://www-oxfordreference-com.ezproxy-eres.up.edu/view/10.1093/acref/9780198662624.001.0001/acref-9780198662624-e-2158>.

“File:Medieval Parliament of England.png.” Wikimedia Commons, the free media repository. 6 Nov 2018, 18:46 UTC. 25 Nov 2019, 06:03 <https://commons.wikimedia.org/w/index.php?title=File:Medieval_Parliament_of_England.png&oldid=326755902>.

“File:Mittelalterliches Ständebild 15. Jahrhundert.png.” Wikimedia Commons, the free media repository. 6 Jun 2018, 09:52 UTC. 25 Nov 2019, 06:05 <https://commons.wikimedia.org/w/index.php?title=File:Mittelalterliches_St%C3%A4ndebild_15._Jahrhundert.png&oldid=304876911>

Stearns, P., & Shehata, S. (2008). Democracy. In Oxford Encyclopedia of the Modern World. : Oxford University Press. Retrieved 22 Nov. 2019, from https://www.oxfordreference.com/view/10.1093/acref/9780195176322.001.0001/acref-9780195176322-e-424.

Primary Sidebar

Recent Posts

  • Hello world!

Recent Comments

  • A WordPress Commenter on Hello world!

Archives

  • August 2019

Categories

  • Uncategorized

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

Copyright © 2025 · News Pro with Full Header on Genesis Framework · WordPress · Log in