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Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

Kissing in Medieval Literature- Brooke Zimmerle

“Pintrest.” Pintrest, https://www.pinterest.com/pin/564498134527897274/.

On this and the following two web pages, I will discuss kissing in Medieval Literature. In class we have discussed the function of kissing in the words we’ve read, ranging from ideas like courtly love to power and control. There are many different ways to analyze kissing in Literature. The two that come to mind are queer theory and feminist theory. For these articles, however, instead of reading Sir Gawain and the Green Knight and The Book of Margery Kempe through a sexual lens, I will focus on the function of kissing in the works we have read. As I work through these two pieces, I aim to desexualize the act of kissing in the Medieval Literature we have read so that readers can look at Sir Gawain and the Green Knight and Margery Kempe through a more open-minded, pure lens. I want to explore the function of kissing in individual stories. Some forms of kissing may be sexual, but I want to focus on the idea that kissing is not inherently sexual.

Sir Gawain and the Green Knight

The two stories I will be engaging with in my essays are Sir Gawain and the Green Knight and The Book of Margery Kempe. I have noticed that although kissing is a central part of some medieval texts, the underlying tones are often intricate and thought provoking. Kissing is central to the plot of Sir Gawain and the Green Knight, but the physical act is overlooked and underplayed throughout the story. Although kissing was what led Sir Gawain to his big downfall, the kisses are treated as innocent. When I think of older cultures, I think of any kind of physical intimacy such as kissing as dirty and sinful. In Sir Gawain and the Green Knight, however, kissing is described with words such as “desire” and “gift.” The word desire at first makes kissing seem like a sexual act in Sir Gawain and the Green Knight, but when it is juxtaposed with the light-hearted descriptions of the kissing, it is seen as much more of a pure act. Throughout Sir Gawain and the Green Knight, the kisses seem to be integral to the story, but the reader is often pondering what these kisses mean, if anything.

The Book of Margery Kempe

In Margery Kempe, there are often sexual imaginings that go through the main characters thoughts. I will explore her visions and argue that although the story and Margery’s feelings about Jesus Christ can be seen as sexual on the surface, when the reader looks more closely and sympathizes with the main character, they can see Margery’s feelings and the kissing in the story as signs of devotion and pure love.

Overall, I want to look at the descriptive words around kissing scenes in these texts and use those words to pull meaning from the actions of kissing in the stories. In our modern society, everything is so sexualized that our brains are trained to pull sex out of all the media we are exposed to; I would like to challenge that. I will not argue that there are not sexual ideas in these works or try to erase the sexuality of characters from the texts, but I want to challenge readers not to jump to the conclusion that any act of physical intimacy is inherently sexual without exploring the possibility that these physical acts, specifically kissing, can be perceived as innocent and good-natured.

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