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Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
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    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

Eve: More Than Just the First Woman

By: Morgan Gerlach

John Martin, English, 1789-1854. Eve at the Fountain, Paradise Lost, Book 4, Line 453. 1824/26. Artstor, library.artstor.org/asset/AMICO_CLARK_103905985

Today and for many centuries, we have known Eve as Adam’s lesser half, the originator of sin. The perpetrator of the crime of knowledge. We see her as a woman who was tempted by the devil, for which all humanity (especially women) pay the price for today. The views on Eve and her actions vary based on what religion you are, especially within the sects on Christianity. Milton, in Paradise Lost, puts his own takes on Christian tellings, and Eve is no different. Milton shows her as beautiful, but lesser than Adam. Surprisingly, she is not the docile companion that was intended for him, being of his flesh. She resists her initial commands from both him and a voice presumed to be sent by God to seek Adam and love him. She again resists Adam in his suggestion that they work together. This Eve that we see is more active in her own story, more so than we usually see. From this, we can see two new sides of Eve: one that is potentially queer (in the sense that she feels attraction to women) and one that rebels against the path set for her, instead of the girl who is pulled away from it.

The beginning of Eve’s story clearly reflects that of Narcissus, who fell in love with his own reflection. While that story is one to warn against narcissism, it is also the story of a beautiful man who falls in love with another beautiful man (ignoring the lovely nymph that loves him) without knowing that the other man is himself. Eve, too is enraptured with her reflection, and feels love for it. When she is taken away from the woman of her reflection, she finds Adam disappointing and is less attracted to him than the woman he saw.

More on Eve as a queer woman

Aside from Eve potentially being the first queer woman, she is the first human to resist the powers that be. This begins with her telling her story before Adam, and continues on to resist efforts to make her stay with him, not listen to Adam’s urges, and disobey the one rule given to them in the Garden of Eden.

More on Eve as a rebellious figure

While this is interesting to speculate on and consider, please note that this is based on Milton’s Paradise Lost and is in no way attempting to insinuate anything about the canonical Catholic literature. I am also not proposing that Milton wrote a feminist Eve, due to the many misogynistic statements made throughout.

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