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Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

Authors’ Views on Ars Moriendi

John Milton

John Milton wrote during a time of religious and political upheaval. He is most well-known for Paradise Lost (1667), but also wrote other poems such as On Shakespear (1630), and his collection of 1645 Poems. Reflected in his writings are the issues and political commentary from his day, (Labriola).

Image result for john milton
https://images.app.goo.gl/e4XxbZ8c4Sj3PtT68

Fun Fact-John Milton met Galileo in 1638. It is widely thought that Milton was impacted by Galileo’s description of the planets and space. Milton’s descriptions of heaven in Paradise Lost display this theory, (“Five Fascinating Facts about John Milton”).

The religious views of Milton impacted not only his writing, but also his view of death. With the combination of his Protestant and Christian views, Milton ultimately believed in soul sleeping. This was the belief that the soul is asleep until the final judgement. Soul sleeping would have been an odd belief for the time. He also did not believe in purgatory, meaning that in regards to death, he leaned more into the Protestant views. A combination of these views can still be seen in Paradise Lost, however. 

Christopher Marlowe

Christopher Marlowe was a poet and dramatist of the Elizabethan era. He is known for his blank verse that has been compared to Shakespeare, his marvelous protagonists, and the odd circumstances surrounding his own death. The author of Dr. Faustus, Marlowe is known for his overreaching protagonists, (Leech).

Image result for Christopher Marlowe
https://images.app.goo.gl/QEGR4yT5UyKjBxse8

Fun Fact-Christopher Marlowe’s atheism indirectly led to the death of a fellow playwright. The author of The Spanish Tragedy, Thomas Kyd, was tortured by authorities to release information about Marlowe’s lack of beliefs. Kyd died from his wounds within a year, (“Five Fascinating Facts about Christopher Marlowe”).

Marlowe was an early atheist, greatly effecting his ideas of death. He did not believe that there was anything after life, so there was nothing that he had to do in order to prepare for death. That makes his mysterious and untimely death even more interesting to examine.  

While Milton and Marlowe had very conflicting ideas of death, and what makes a righteous death, there is a parallel in their two major texts. In looking at Paradise Lost and Dr. Faustus, heaven and hell, as well as God and the devil are present in both universes. These aspects impact both the art of dying and the art of living in both stories. In both universes there is also an examination for the implications of freewill. Marlowe’s lack of belief in an afterlife makes his view of the Ars moriendi clear, explaining why Faustus sides with the evil angel. He wants to get all he can during his life, and this is the best opportunity for him to have a good life:

“Now, Faustus, must thou needs be damned? And canst thou not be saved,” (Marlowe 492)?

Milton also chooses to have Adam and Eve’s freewill lead to their downfall. This was a more negative decision because of Milton’s religious views.  

“Better to reign in Hell, than to serve in Heaven,” (Milton 223).

Although Milton and Marlowe had different religious backgrounds, they still had the same access to the Ars Moriendi. It had an impact on their prevalent texts and ideas.

Works Cited

“Five Fascinating Facts about Christopher Marlowe.” Interesting Literature, 14 Jan. 2019, interestingliterature.com/2016/10/07/five-fascinating-facts-about-christopher-marlowe/.

“Five Fascinating Facts about John Milton.” Interesting Literature, 14 Jan. 2019, interestingliterature.com/2016/12/23/five-fascinating-facts-about-john-milton/.

Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. the Sixteenth Century and the Early Seventeenth Century. Norton, 2012.

Labriola, Albert C. “John Milton.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 31 Oct. 2019, www.britannica.com/biography/John-Milton.Labriola, Albert C. “John Milton.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 31 Oct. 2019, www.britannica.com/biography/John-Milton.

Leech, Clifford. “Christopher Marlowe.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 21 Nov. 2019, www.britannica.com/biography/Christopher-Marlowe.

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